Seth Barry Watter
Lorna Mills, or the Uses of Ugliness
Notes and Citations
1. Program notes for “From the Cloud: Video in Cyberspace,” curated by Faith Holland, 13 March 2013; available at http://rhizome.org/community/21175/.
2. “It’s a type of transparency, clearly pointing to the fact that the original images were made for other reasons, a way of being true to an image source.” Mira Dayal, “‘Everything I Do Has the Smell of Digital’: Lorna Mills on Her Art,” Hyperallergic, 1 March 2017; available at https://hyperallergic.com/362179/everything-i-do-has-the-smell-of-digital-lorna-mills-on-her-art/. See also Paul Soullelis, “Artist Profile: Lorna Mills,” Rhizome, 28 September 2016; available at https://rhizome.org/editorial/2016/sep/28/artist-profile-lorna-mills/.
3. Olia Lialina, “A Vernacular Web” (2005), Digital Folklore, ed. Olia Lialina and Dragan Espenschied (Stuttgart: Merz and Solitude, 2009), 24.
5. Peter Kubelka, “The Theory of Metrical Film,” The Avant-Garde Film: A Reader of Theory and Criticism, ed. P. Adams Sitney (New York: Anthology Film Archives, 1978), 157.