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John Powers: New Historicism

Bibliography

 

Beverley, Robert. The History and Present State of Virginia, in Four Parts. 1705.
Reprint, Chapel Hill, N.C.: The Institute of Early American History and Culture at Williamsburg, Va., by the University of North Carolina Press, 1947.

Byrd, William. The Secret Diary of William Byrd of Westover, 1709-1712. Edited by Louis B. Wright and Marion Tinling. Richmond, VA: The Dietz Press, 1941.

—. William Byrd’s Histories of the Dividing Line Betwixt Virginia and North Carolina. Raleigh: The North Carolina Historical Commission, 1929.

Da Vinci, Leonardo. Codex on the Flight of Birds. Circa 1505.  Reprint, New York: Johnson Reprint: Harcourt Brace Jovanovich, 1982.

Dagognet, François. Etienne-Jules Marey: A Passion for the Trace. Trans. Robert Galeta with Jeanine Herman. New York: Zone Books, 1992.

Deleuze, Gilles. Pure Immanence: Essays on A Life. Trans. Anne Boyman. New York: Zone Books, 2001.

Findlen, Paula, Ed. Athanasius Kircher: The Last Man Who Knew Everything. New York and London: Routledge, 2004.

Frampton, Hollis. Circles of Confusion: Film Photography Video Texts 1968-1980. Rochester: Visual Studies Workshop Press, 1983.

Genuth, Sara Schechner. Comets, Popular Culture, and the Birth of Modern Cosmology. Princeton, NJ: Princeton University Press, 1997.

Gallagher, Catherine and Stephen Greenblatt. Practicing New Historicism. Chicago: The University of Chicago Press, 2000.

Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley and Los Angeles: The University of California Press, 1988.

Gunning, Tom. “Towards a Minor Cinema: Fonoroff, Herwitz, Ahwesh, Klahr, LaPore and Solomon.” Motion Picture 3, nos. 1-2 (1989-1990): 2-5.

Henderson, Brian. “Propositions for the Exploration of Frampton’s Magellan.” October 32 (Spring 1985): 129-150.

Hicks, Dan and Mary C. Beaudry, eds. The Oxford Handbook of Material Culture Studies. Oxford and New York: Oxford University Press, 2010.

Howe, Susan. The Midnight. New York: New Directions Books, 2003.

Kircher, Athanasius. Ars Magna Sciendi. Amstelodami: Apud Joannem Janssonium à Waesberge, & Viduam Elizei Aeyerstraet, 1669.

LeBreton, Mrs. John. The White Magic Book: Fortune Telling at Your Fingertips. London: C.A. Pearton, 1919.

MacDonald, Scott. “Gentle Iconoclast: An Interview with David Gatten.” Film Quarterly 61, no. 2 (Winter 2007): 36-44.

Peterson, James. Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema. Detroit: Wayne State University Press, 1994.

Sicinski, Michael. “The Systematically Incomplete Dialectical Process, or, Articulations of Structural Mythopoeia in the Para-Classical Realm for the Metrickally Measured Linguistical Motivics and Deeply Felt Cinematic Appoggiatura of Mr. David Gatten, Gentleman,” Cinema Scope, no. 49: 40-41.

Simon, Bill. “Talking about Magellan: An Interview with Hollis Frampton.” Millennium Film Journal, nos. 7/8/9 (Fall-Winter 1980-81): 5-26.

Sitney, P. Adams. Visionary Film: The American Avant-Garde, 1943-2000. 3rd ed. Oxford and New York: Oxford University Press, 2002.

Stults, Chris, Ed. Texts of Light: A Mid-Career Retrospective of Fourteen Films by David Gatten. Columbus, OH: Wexner Center for the Arts, 2011.

Taylor, L.B. Jr. Ghosts of Virginia’s Tidewater. Charleston, S.C.: The History Press, 2011.

Veeser, H. Aram, Ed. The New Historicism. New York and London: Routledge, 1989.

Wittgenstein, Ludwig. Tractatus LogicoPhilosophicus

Wolf, Edwin. “The Dispersal of the Library of William Byrd of Westover.” Proceedings of the American Antiquarian Society 68 (April 1958): 19-45.

Wollstonecraft, Mary. The Love Letters of Mary Wollstonecraft to Gilbert Imlay. London: Hutchinson & Co., 1908.

 


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