MFJ No. 6 (Spring 1980) – Feminism/Dream/Animation

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  • Boddy, William, “The Films of Dave Lee,” pp. 107-10.
  • Brinckmann, Christine Noll and Grahame Weinbren, “Selective Transparencies: Pat O’Neill’s Recent Films,” pp. 51-72.
  • Buchsbaum, Jonathan, “Independent Film and Popular Culture: Films of J. Hoberman,” pp. 111-16.
  • Carroll, Noel, “Identity and Difference: From Ritual Symbolism to Condensation in Inauguration of the Pleasure Dome,” pp. 31-42.
  • Haller, R. A., “Amy Greenfield,” pp. 103-06.
  • Hanlon, Lindley, “Recycling Cinema: Urban Peasants by Ken Jacobs,” pp. 117-20.
  • Hoberman, J., “Notes on Three Films by Vivienne Dick,” pp. 90-94.
  • Kaplan, E. Ann, “Integrating Marxist and Psychoanalytical Approaches in Feminist Film Criticism,” pp. 8-17.
  • Kaplan, E. Ann and Jeff Halley, “One Plus One: Ideology and Deconstruction in Godard’s Ici et Ailleurs and Comment Ça Va,” pp. 98-102.
  • Kiernan, Joanna, “Birgit and Wilhelm Hein: From Structural Studies to Now,” pp. 95-97.
  • Perlmutter, Ruth, “Visible Narrative, Visible Woman,” pp. 18-30.
  • Rainer, Yvonne, “Beginning With Some Advertisements For Criticisms Of Myself, Or Drawing The Dog You May Want To Use To Bite Me With, And Then Going On To Other Matters,” pp. 5-7.
  • Sharrett, Christopher, “Brakhage’s Dreamscape,” pp. 43-50.
  • Stam, Robert and Ismail Xavier, “Brazilian Avant Garde: Metacinema in the Tristes Tropiques,” pp. 82-89.
  • Switzer, Judith, “The Animated Abstractions of Harry Smith,” pp. 73-81.
  • Weinbren, Grahame and Christine Noll Brinckmann, “Selective Transparencies: Pat O’Neill’s Recent Films,” pp. 51-72.[/column]
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