- ARTICLES
- David James, “Expanded Cinema in Los Angeles: The Single Wing Turquoise Bird”
- Ken Jacobs, “Painted Air: The Joys and Sorrows of Evanescent Cinema”
- Bradley Eros, “There Will Be Projections in All Dimensions”
- Tony Conrad, “Is This Penny Ante or a High Stakes Game? An Interventionist Approach to Experimental Filmmaking”
- Nicole Brenez, “Improvised Notes on French Expanded Cinema”
- REVIEW
MFJ No. 43/44 (Summer/Fall 2005) – Paracinema / Performance
ISSUE INDEX
- MFJ No. 1 (Winter 1977-78) – Surrealism in Cinema / Autobiography / Diary
- MFJ No. 2 (Spring/Summer 1978) – International Avant Garde / Structural Film
- MFJ No. 3 (Winter/Spring 1979) – Film / Theatre / Compositional Matrix
- MFJ No. 4/5 (Summer/Fall 1979) – Politics/Landscape
- MFJ No. 6 (Spring 1980) – Feminism/Dream/Animation
- MFJ No. 7/8/9 (Fall/Winter 1980-81) – Interviews/Rediscoveries/Third World
- MFJ No. 10/11 (Fall/Winter 1981-82) – Dance / Movement / Performance / Theater
- MFJ No. 12 (Fall/Winter 1982-83) – Regional Reports/Feminism
- MFJ No. 13 (Fall/Winter 1983-84) – International Reports
- MFJ Nos. 14/15 (Fall/Winter 1984-85) – Book Reviews/Theory
- MFJ No. 16/17/18 (Fall/Winter 1986-87) – Millennium Film Workshop: 20th Anniversary
- MFJ No. 19 (Fall/Winter 1987-88) – Re-Readings
- MFJ No. 20/21 (Fall/Winter 1988-89) – New Technology
- MFJ No. 22 (Winter/Spring 1989-90) – Mythologies
- MFJ No. 23/24 (Winter 1990-91) – Independents
- MFJ No. 25 (Summer 1991) – The Script Issue
- MFJ No. 26 (Fall 1992) – Archaeologies
- MFJ No. 27 (Winter 1993-94) – Displacements
- MFJ No. 28 (Spring 1995) – Interactivities
- MFJ No. 29 (Fall 1996) – Video Installation
- MFJ No. 30/31 (Fall 1997) – Deutschland/Interviews
- MFJ No. 32/33 (Fall 1998) – Beavers / Markopoulos
- MFJ No. 34 (Fall 1999) – The Digital
- MFJ No. 35/36 (Fall 2000) – The Millennium
- MFJ No. 37 (Fall 2001) – Idiosyncrasies
- MFJ No. 38 (Spring 2002) – Winds From the East
- MFJ No. 39/40 (Winter 2003) – Hidden Currents
- MFJ No. 41 (Fall 2003) – Lesbian & Gay Experimental Cinema / Stan Brakhage Remembrances
- MFJ No. 42 (Fall 2004) – Video: Vintage and Current
- MFJ No. 43/44 (Summer/Fall 2005) – Paracinema / Performance
- MFJ No. 45/46 (Fall 2006) – Hybrids
- MFJ Nos. 47/48/49 (Fall/Winter 2007-08) – Brakhage at the Millennium
- MFJ No. 50 (Fall 2008) – Practices and Processes
- MFJ No. 51 (Spring/Summer 2009) – Experiments in Documentary
- MFJ No. 52 (Winter 2009-10) – Presence
- MFJ No. 53 (Fall/Winter 2010-11) – Migration / Dislocation
- MFJ No. 54 (Fall 2011) – Focus on Carolee Schneemann
- MFJ No. 55 (Spring 2012) – Structures and Spaces: Cine-Installation
- MFJ No. 56 (Fall 2012) – Material Practice: From Sprockets to Binaries
- MFJ No. 57 (Spring 2013) – Violence in Artists' Cinema
- MFJ No. 58 (Fall 2013) – Since 78 (35th Anniversary Edition, Vol. 1)
- MFJ No 59 (Spring 2014) – Since 78 and Beyond (35th Anniversary Edition, Vol. 2)
- MFJ No 60 (Fall 2014) Fundamentals
- MFJ No 61 (Spring 2015) World Views
- MFJ No 62 (Fall 2015) "New Books"
- MFJ No 63 (Spring 2016) – Exchanges and Convergences
- MFJ No. 64 (Fall 2016) – Image Machines
- MFJ No 65 (Spring 2017) – Architecture On Screen And Off
- MFJ No 66 (Fall 2017) – The Long Form
- MFJ No 67 (Spring 2018) – Devoted to Artists' Moving Image
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