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Releasing April 1st: MFJ No. 79 “Re:presentation”

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Spring 2024

The act of representation, whether filming new material or reframing archival material, concurrently makes a subject both visible and abstract. And as a time-based medium, moving image works carry another dimension of representation, the context created by montage, of the images that come before and after, and the sum of all images in a single work. This plasticity of meaning on multiple interconnected levels means every artistic choice is also a political choice. What to represent, and how, are the core questions of any filmmaking endeavor, and experimental film in particular tends to not only provide unconventional answers, but also to rephrase the questions entirely.

The filmmakers and writers featured in this issue–highly aware, keenly political, exploring the boundaries between art and reality–rethink questions of representation in ways that are equally timeless and particularly vital to this moment.

 

Excerpted from Vince Warne’s Introduction to Millennium Film Journal No. 79 (Spring 2024)

 

 

 

 

The act of representation, whether filming new material or reframing archival material, concurrently makes a subject both visible and abstract. And as a time-based medium, moving image works carry another dimension of representation, the context created by montage, of the images that come before and after, and the sum of all images in a single work. This plasticity of meaning on multiple interconnected levels means every artistic choice is also a political choice. What to represent, and how, are the core questions of any filmmaking endeavor, and experimental film in particular tends to not only provide unconventional answers, but also to rephrase the questions entirely.

The filmmakers and writers featured in this issue–highly aware, keenly political, exploring the boundaries between art and reality–rethink questions of representation in ways that are equally timeless and particularly vital to this moment.

 

Excerpted from Vince Warne’s Introduction to Millennium Film Journal No. 79 (Spring 2024)

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Read Arindam Sen’s interview with Anthony McCall.

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Read Grahame Weinbren’s European Media Art Festival (EMAF) 2022 online review. This is a continuation of a printed review in MFJ 76 “Worlds”.

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Read Paul Arthur’s journey with Bruce Baillie’s 1995 video portrait “Commute.” This article was published in MFJ No. 29 “Video Installation.”

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