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MFJ No. 29 (Fall 1996) – Video Installation

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ARTICLES

Burris, Jon,”Did the Portapak Cause Video Art? Notes on the Formation of a New Medium.”
Arthur, Paul, “Commute by Bruce Baillie.“
Zweig, Ellen, “Constructing Loss: Film and Presence in the Work of Eleanor Antin.“
McElhaney, Joe,”Primitive Projections: Chris Marker’s Silent Movie.“
Horn, William, “Image/Object,Video/Text: Gary Hill at the Guggenheim,”.
Pelizzari, Maria Antonella,”Experiencing Bill Viola’s Buried Secrets.”
Debevoise, Clay,”Mirror Spaces: Video Spacesat the Museum of Modern Art.”

IN MEMORIAM

Arthur, Paul,”Warren Sonbert: A Remembrance,”
London, Barbara,”Remembering Teiji Furuhashi.”

ISSUE INDEX

MFJ No. 1 (Winter 1977-78) – Surrealism in Cinema / Autobiography / Diary
MFJ No. 2 (Spring/Summer 1978) – International Avant Garde / Structural Film
MFJ No. 3 (Winter/Spring 1979) – Film / Theatre / Compositional Matrix
MFJ No. 4/5 (Summer/Fall 1979) – Politics/Landscape
MFJ No. 6 (Spring 1980) – Feminism/Dream/Animation
MFJ No. 7/8/9 (Fall/Winter 1980-81) – Interviews/Rediscoveries/Third World
MFJ No. 10/11 (Fall/Winter 1981-82) – Dance / Movement / Performance / Theater
MFJ No. 12 (Fall/Winter 1982-83) – Regional Reports/Feminism
MFJ No. 13 (Fall/Winter 1983-84) – International Reports
MFJ Nos. 14/15 (Fall/Winter 1984-85) – Book Reviews/Theory
MFJ No. 16/17/18 (Fall/Winter 1986-87) – Millennium Film Workshop: 20th Anniversary
MFJ No. 19 (Fall/Winter 1987-88) – Re-Readings
MFJ No. 20/21 (Fall/Winter 1988-89) – New Technology
MFJ No. 22 (Winter/Spring 1989-90) – Mythologies
MFJ No. 23/24 (Winter 1990-91) – Independents
MFJ No. 25 (Summer 1991) – The Script Issue
MFJ No. 26 (Fall 1992) – Archaeologies
MFJ No. 27 (Winter 1993-94) – Displacements
MFJ No. 28 (Spring 1995) – Interactivities
MFJ No. 29 (Fall 1996) – Video Installation
MFJ No. 30/31 (Fall 1997) – Deutschland/Interviews
MFJ No. 32/33 (Fall 1998) – Beavers / Markopoulos
MFJ No. 34 (Fall 1999) – The Digital
MFJ No. 35/36 (Fall 2000) – The Millennium
MFJ No. 37 (Fall 2001) – Idiosyncrasies
MFJ No. 38 (Spring 2002) – Winds From the East
MFJ No. 39/40 (Winter 2003) – Hidden Currents
MFJ No. 41 (Fall 2003) – Lesbian & Gay Experimental Cinema / Stan Brakhage Remembrances
MFJ No. 42 (Fall 2004) – Video: Vintage and Current
MFJ No. 43/44 (Summer/Fall 2005) – Paracinema / Performance
MFJ No. 45/46 (Fall 2006) – Hybrids
MFJ Nos. 47/48/49 (Fall/Winter 2007-08) – Brakhage at the Millennium
MFJ No. 50 (Fall 2008) – Practices and Processes
MFJ No. 51 (Spring/Summer 2009) – Experiments in Documentary
MFJ No. 52 (Winter 2009-10) – Presence
MFJ No. 53 (Fall/Winter 2010-11) – Migration / Dislocation
MFJ No. 54 (Fall 2011) – Focus on Carolee Schneemann
MFJ No. 55 (Spring 2012) – Structures and Spaces: Cine-Installation
MFJ No. 56 (Fall 2012) – Material Practice: From Sprockets to Binaries
MFJ No. 57 (Spring 2013) – Violence in Artists’ Cinema
MFJ No. 58 (Fall 2013) – Since 78 (35th Anniversary Edition, Vol. 1)
MFJ No 59 (Spring 2014) – Since 78 and Beyond (35th Anniversary Edition, Vol. 2)
MFJ No 60 (Fall 2014) Fundamentals
MFJ No 61 (Spring 2015) World Views
MFJ No 62 (Fall 2015) “New Books”
MFJ No 63 (Spring 2016) – Exchanges and Convergences
MFJ No. 64 (Fall 2016) – Image Machines
MFJ No 65 (Spring 2017) – Architecture On Screen And Off
MFJ No 66 (Fall 2017) – The Long Form
MFJ No 67 (Spring 2018) – Devoted to Artists’ Moving Image

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