Ying Xiao and Wei Lin "Scroll Montage and the Cinematic " Footnotes
- Gu Xiaogang, “The Press Kit for Dwelling in the Fuchun Mountains,” provided by the director Gu Xiaogang and the producer Liang Ying, courtesy of Gu Xiaogang.
- For discussions, see Chris Berry and Feii Lu, eds. Island on the Edge: Taiwan New Cinema and After (Hong Kong: Hong Kong University Press, 2005), 5-6; and Ming-yeh T. Rwansley, “Observational Realism in New Taiwan Cinema,” in Lucia Nagib and Cecilla Mello, eds., Realism and Audiovisual Media (UK: Palgrave Macmillan, 2009), 96-107.
- Eric Hynes, “Interview: Gu Xiaogang—Time is a Character,” Film Comment (July-August, 2019). Accessed June 5, 2020. https://www.filmcomment.com/article/interview-gu-xiaogang/
- See Catherine Yi-Yu Cho Woo, “The Chinese Montage: From Poetry and Painting to the Silver Screen,” in Chris Berry, ed. Perspectives on Chinese Cinema (London: British Film Institute, 1991), 21-29; and Ying Xiao, “Northwest Wind: Folklore, Vernacular, and the Chinese New Waves,” in China in the Mix: Cinema, Sound, and Popular Culture in the Age of Globalization (Jackson: University of Mississippi Press, 2017), 18-51.