Ying Xiao and Wei Lin "Scroll Montage and the Cinematic " Footnotes

  1. Gu Xiaogang, “The Press Kit for Dwelling in the Fuchun Mountains,” provided by the director Gu Xiaogang and the producer Liang Ying, courtesy of Gu Xiaogang. 
  2. For discussions, see Chris Berry and Feii Lu, eds. Island on the Edge: Taiwan New Cinema and After (Hong Kong: Hong Kong University Press, 2005), 5-6; and Ming-yeh T. Rwansley, “Observational Realism in New Taiwan Cinema,” in Lucia Nagib and Cecilla Mello, eds., Realism and Audiovisual Media (UK: Palgrave Macmillan, 2009), 96-107.
  3. Eric Hynes, “Interview: Gu Xiaogang—Time is a Character,” Film Comment  (July-August, 2019). Accessed June 5, 2020. https://www.filmcomment.com/article/interview-gu-xiaogang/
  4. See Catherine Yi-Yu Cho Woo, “The Chinese Montage: From Poetry and Painting to the Silver Screen,” in Chris Berry, ed. Perspectives on Chinese Cinema (London: British Film Institute, 1991), 21-29; and Ying Xiao, “Northwest Wind: Folklore, Vernacular, and the Chinese New Waves,” in China in the Mix: Cinema, Sound, and Popular Culture in the Age of Globalization (Jackson: University of Mississippi Press, 2017), 18-51.